Jacob Collier in flow state, surrounded by instruments and LEGO Birds of Paradise

Reframing a reach problem as a behavior problem.

Building a Happy Place.

I led the creative strategy and brand partnerships on this work, defining how LEGO showed up inside a culture-first platform.

LEGO came to COLORSxSTUDIOS with a brief about reaching new audiences. The brief described a visibility problem. The work that followed reframed it as a behavior problem, repositioning LEGO not as a thing to remember but as something people return to. Jacob Collier was the right artist because he didn't promote the idea. He embodied it.

Role
Head of Creative Strategy & Brand Partnerships
Company
COLORSxSTUDIOS
Client
LEGO
Year
2024

8.2M
Reach across platforms
24%
Engagement rate at scale
3×
Category engagement benchmark

A reach problem, on paper.

Adults are overwhelmed and overstimulated. Nine in ten say time to unwind is critical to their happiness. Most feel they don't have enough of it.

LEGO had already solved for awareness. What it needed was relevance inside a new behavior. The brief pointed toward visibility. Visibility alone doesn't change how people engage with a brand.


The brief said
"We need to reach more people."
The real problem
LEGO wasn't being ignored. It wasn't being used differently. The fix was behavior.

LEGO's true competitor was stress and the absence of time found in adulthood.

The opportunity was to reposition creativity as something people return to and remember.


01
Reframed the problem from reach to behavior.
Instead of designing for visibility, I designed for a state of mind. Through this project we shifted success from impressions to engagement depth. The brief asked for visibility. This work prioritized high-intent attention over passive scale.
Higher-quality attention per viewer
02
Selected Jacob Collier for embodiment, not endorsement.
Jacob was selected because he lives inside the behavior the campaign was trying to make visible. Experimentation. Immersion. Creative flow. He embodied the core value of this campaign.
Borrowed credibility through alignment, not amplification
03
Used the COLORS format as attention design.
The COLORS format strips out everything but the artist which leaves the audience to focus. The campaign sat inside the format rather than competing with it.
Earned attention rather than buying it
04
Reduced brand presence to increase acceptance.
The product appeared inside the world Jacob built. LEGO Botanical bouquets in his hands. LEGO Birds of Paradise on the rug beside him. The brand never interrupted the moment. It intertwined itself in it.
Lower resistance, deeper emotional connection

Two pieces of content.
Multiple surface cuts.

The performance was treated as a single editorial moment with two distinct artifacts. The Show carried the music. The Close-Up carried the meaning. Each lived across the surfaces best suited to its attention mode.

The Show · Jacob Collier performs ‘Little Blue’

A stripped-back session designed to foreground the act of creation. The format removed noise and interruption. What was left was focus. The brand sat inside the moment rather than competing with it.

Jacob Collier holding a LEGO Botanical bouquet, the product appearing inside the performance world rather than alongside it
Overhead shot of Jacob Collier in flow state, surrounded by instruments and LEGO Birds of Paradise
The Close-Up · The argument, in his own words

After the performance, Jacob reflects on creativity and what it takes to find a happy place. The Close-Up is the receipt for the embodiment decision. He doesn't promote the idea. He says out loud what the Show makes visible.

Each cut was sized to its surface. Long-form for full attention. Vertical for scroll. Carousel for the audience that reads. The format was the strategy. The content didn't have to be louder on a phone than it was at full screen.


Creativity is more than just expression. It's regulation.


The brands that win are the ones that understand what people are missing and meet them there.

LEGO didn't need a louder campaign. It needed a quieter one. The reach was a byproduct.

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